The Cold Abstinence, The Selfish Ease (I Have Never Felt So Frail #1 - #4), 2016-2018, Purpleheart // BALTIC 39, Newcastle, UK, 15th June - 21st October 2018
The Cold Abstinence, The Selfish Ease (I Have Never Felt So Frail #1 - #5), 2016-2018, Purpleheart // BALTIC 39, Newcastle, UK, 15th June - 21st October 2018
The Cold Abstinence, The Selfish Ease (I Have Never Felt So Frail #3), 2017, Purpleheart
To Pine, Two Pine, Too Pine (Three set diagram depicting an understanding of homoeroticism as a form of communication) #2 // BALTIC 39, Newcastle, UK, 15th June - 21st October 2018
To Pine, Two Pine, Too Pine (Three set diagram depicting an understanding of homoeroticism as a form of communication) #1 // BALTIC 39, Newcastle, UK, 15th June - 21st October 2018
To Pine, Two Pine, Too Pine (Three set diagram depicting an understanding of homoeroticism as a form of communication) #1, detail
Heavy Minor Chords, 2016, Walnut, Found Stones // WAGSTAFF'S, Mostyn, Llandudno, UK, 18th February - 25th June 2017
I Have Never Felt So Frail (Material Crush), 2016, Purpleheart
The Importance of Geographical Dissonance on Artistic Endeavour (Skulking and Camaraderie), 2016, Purpleheart, Tennessee Red Cedar, Cherry
I Have Never Felt So Frail (Material Crush), 2016, Purpleheart; The Importance of Geographical Dissonance on Artistic Endeavour (Skulking and Camaraderie), 2016, Purpleheart, Tennessee Red Cedar, Cherry // Liverpool Biennial, Liverpool, UK, 9th July - 16th October 2016
Every Inch of the Surface is Won at the Point of the Chisel, 2016, Scrap Brass
Every Inch of the Surface is Won at the Point of the Chisel, 2016, Scrap Brass // Liverpool Biennial, Liverpool, UK, 9th July - 16th October 2016
How Much I Fancied Her 1995-2001, 2012, Ash, Cherry, Walnut, Purpleheart, Maple, Bog Oak, Pau Amarello, 7 Individually Framed Photographs (detail)
How Much I Fancied Her 1995-2001, 2012, Ash, Cherry, Walnut, Purpleheart, Maple, Bog Oak, Pau Amarello, 7 Individually Framed Photographs // CO2, Rome, IT, 15th December 2012 - 23rd February 2013
How Much I Fancied Her 1995-2001, 2012, Ash, Cherry, Walnut, Purpleheart, Maple, Bog Oak, Pau Amarello, 7 Individually Framed Photographs (detail)
How Much I Fancied Her 1995-2001, 2012, Ash, Cherry, Walnut, Purpleheart, Maple, Bog Oak, Pau Amarello, 7 Individually Framed Photographs (detail)
How Much I Fancied Her 1995-2001, 2012, Ash, Cherry, Walnut, Purpleheart, Maple, Bog Oak, Pau Amarello, 7 Individually Framed Photographs (detail)
Then, if you are lucky, even you leave // Small Collections Room, Nottingham Contemporary, Nottingham, UK 4th June - 16th August 2015
Then, if you are lucky, even you leave // Small Collections Room, Nottingham Contemporary, Nottingham, UK 4th June - 16th August 2015
Then, if you are lucky, even you leave // Small Collections Room, Nottingham Contemporary, Nottingham, UK 4th June - 16th August 2015
Then, if you are lucky, even you leave // Small Collections Room, Nottingham Contemporary, Nottingham, UK 4th June - 16th August 2015
Pen Cap Chew, 2014-2015, Brass
Almost, Sweet Talk, Caffeine (My Dissonance), 2013, Polyurethane Resin // Annet Gelink, Amsterdam, NL, 13th April - 18th May 2013
Almost, Sweet Talk, Caffeine (My Dissonance), 2013, Polyurethane Resin
Somewhat More Prim, Less Rambling, but the Same Radiant Sunshine, 2012, Acrylic Glass // Mostyn Open 18, Mostyn, Llandudno, UK, 18th January - 14th April 2013
Ballad of Jebel Hafeet (Adornment and Anonymity), 2012, Oak, Acrylic // Young British Art II, DIENSTGEBÄUDE, Zürich, CH, 9th February - 17th March 2012